Allen & Heath GL4800

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24 channel frame
A version (all mono channels)
Multi-functionality for FOH/Monitor mixing and live recording
LR and M main mix
8 Audio groups with pan and routing to LR and M
11×4 Matrix
10 Auxiliary sends with faders, inserts and XLR
Aux 10 can provide channel direct output pre/post and level trim
Group out pre/post switching and level trim for recording
Per channel pre/post fader aux switching for unlimited flexibility
Second LR2 output with pre/post fader selection and level trim
Output reverse mode to swap aux inserts and XLR with matrix and LR2
2-track replay to LR and monitor
Stereo channel line inputs can be assigned independently to LR
4 band, 4 sweep EQ with switched Q on midrange
Swept 20-400Hz high pass filters
Matrix to aux link for quick monitors and grouped effects
128 snapshot memory mute automation with preview and safes functions
8 Mute groups or scenes
Solo-in-Place with toggle last and safes
Single press clear or set all mutes function
Mutes on all fader masters
Meters on all buses to prevent mix overload
Simultaneous metering of the groups, LRM and auxes
Integral LED-illuminated moving coil VU meterpod
Simultaneous LED bar and VU monitor metering
Mono/stereo PFL with trim
PFL override AFL for logical input/output monitoring
Engineers wedge fader control in monitor mode
Separate headphones and local outputs
Talkback to LR, M, groups, matrix, and to each aux
Electronically balanced XLR outputs with +27dBu drive capability
Preamp +34dBu maximum input capability for mic or line
Ultra low noise mix head amp design
Balanced inserts with separate send and return sockets
100mm, premium grade dual rail faders
Metal jacks, gold-plated XLRs, sealed pots and switches
Individual circuit card assembly with nutted pots
Built-in combiner for redundant backup power supply
Sys-Link V2 console input linking option

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